Early into the second year of the Afghanistan war, in November 2002, a retired US Army general, William Odom, appeared on C-SPAN's "Washington Journal" program and told viewers: "Terrorism is not an enemy. It cannot be defeated. It's a tactic. It's about as sensible to say we declare war on night attacks and expect we're going to win that war. We're not going to win the war on terrorism."
But the "war on terrorism" rubric - increasingly shortened to the even vaguer "war on terror" - kept holding enormous promise for a warfare state of mind. Early on, the writer Joan Didion saw the blotting of the horizon and said so: "We had seen, most importantly, the insistent use of Sept. 11 to justify the reconception of America's correct role in the world as one of initiating and waging virtually perpetual war."
There, in one sentence, an essayist and novelist had captured the essence of a historical moment that vast numbers of journalists had refused to recognize - or, at least, had refused to publicly acknowledge. Didion put to shame the array of self-important and widely lauded journalists at the likes of The New York Times, The Washington Post, PBS and National Public Radio.
The new US "war on terror" was rhetorically bent on dismissing the concept of peacetime as a fatuous mirage.